Erik Satie -《宁静》(Serenity)Anne Queffelec[APE]

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发布时间：: 2008-05-09 14:43
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Anne.Queffelec.&.Catherine.Collard.[Erik.Satie.-.Serenity.(EMI.2002)].专辑.(ape).rar 详情	167.6MB
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中文名称：宁静
英文名称：Serenity
资源类型：APE
版本：Anne Queffelec
发行时间：2002年
专辑歌手：Erik Satie
地区：法国
简介：
未命名.jpg

作曲家：Erik Satie
演奏：Anne Queffelec, Catherine Collard
发行公司：EMI Records Ltd/Virgin Classics
资源出处：原发

专辑介绍:

Erik Satie (1866-1925)法国作曲家，六人团的前驱。萨蒂1884年出版第一首钢琴曲时，竟编为OP.62。1890年结识德彪西，1891年参加天.主.教的玄.宗.教.派，为该教.派创作数部作品。此后不久就对作曲厌.倦。他1905年进圣.咏学院师从丹弟和鲁塞尔。《游.行（PARADE）》是他的著名作品，这部作品受贾吉列夫之约，为当时的俄罗斯芭蕾舞团而作，作于1916年，由科克托撰脚本，马辛编舞，毕加索设计舞美。这部作品讽.刺一个在城市街头表演的流动剧团，角色包括一名中国魔.术师，两名杂技演员，一名美.国女郎，三名领班。作品中使用爵士乐节奏，并在配器中使用打字机、轮船汽笛和警.报器的声响。
　　
萨蒂在法国音乐史上之所以重要，在于他引导了法国一代作曲家摆脱处于瓦格纳影响下的印象主.义。他比较早地使用了先锋派的作曲方法。他创造的“陈设音乐”，是指各演奏者散处于舞台的不同的位置，以不同的拍子演奏不同乐曲而组合成的音乐。他所作的钢琴曲《烦.恼》，是以一段乐曲反复演奏840次而成，演奏一遍需要18小时40分钟。这部《直视和斜视的东西（Choses Vues a droit et a gauche）》，为小提琴和钢琴而作，作于1941年。
　　
萨蒂采用简练的创作风格，他的旋律简单，有时令人感到有点古朴；总谱也很简洁，很少用全奏的段落，他创作了许多优秀的钢琴作品。比如《玄秘曲》（1890），《哥特舞曲9首》（1893），《冷淡曲》（1897），《沉思的游鱼》（1901），《小型圣咏曲12首》（1906），《木制胖妇人的素描和媚.态3首》（1913），《稚童情趣》（1913），《运动项目与嬉戏游曲21首》（1914）。（摘自音乐圣经）

user posted image

Satie wrote underneath his self portrait :

"I have come into the world very young into an era very old."

This must have been the feeling of many struggling young modern artists of his time.

1. HIS LIFE

Alfred Erik Leslie Satie was born in Honfleur (Normandy) in 1866. He died in Paris in 1925, aged 59. His mother was Scottish and his father was a ship broker.

Satie started playing the piano at age 7. At 17 he spent a year at the Paris Conservatory.
At age 40, already an accomplished musician, he entered the Schola Cantorum. Here he studied counterpoint and orchestration with Albert Roussel and Vincent D'Indy. After three years he received a Diploma marked "tres bien" (very good).

Satie was a composer who feared no man, but always did what was right in his own eyes. He was an exponent of several important trends in the 20th Century composition including bitonality, polytonality, Jazz and non-triadic harmony.

Erik Satie was one of music's great originals, both personally (an eccentric) and artistically.
From his one-room flat in a working class suburb in Paris, he exercised a remarkable influence over a generation of composers who were seeking to escape the dominance of Richard Wagner.

His simplicity, innovative harmonies, freedom of form and mastery of musical understatement made a strong impression on composers like Claude Debussy, Maurice Ravel and later younger composers such as Francis Poulenc, Darius Milhaud and John Cage.

His strange sparse scores, often written without bar lines in red ink are peppered with whimsical instructions : "Light as an egg", "Here comes the lantern", "Open your head", "Muffle the sound", "With astonishment", "Work it out yourself", etc.

Satie's early interest in Mediaeval music shows in the simple plainsong like harmonies of his famous 'Gymnopédies' and 'Gnossiennes'.

In the 1890s he became interested in, and the official composer for, the religio-mystic-occult sect of Rosicrusianism which also had a strong Mediaeval leaning.

He was a close friend of Claude Debussy, and during World War 1 also befriended Cocteau, Diaghilev and Pablo Picasso. This association with the Cubists resulted in the ballet 'Parade' which he wrote in collaboration with Cocteau and Picasso.

An eccentric and humorist, he was not well accepted by the general public of his time, despite efforts by Debussy and Ravel to promote his works.
During the past 20 years his work has received worldwide appreciation and the recognition of his importance he so truly deserves.

2. SATIE the ECCENTRIC

I keep reading and hearing new anecdotes about Satie's eccentricities. Here are a few :

• In his one-room apartment Satie had two pianos. One placed on top of the other, their pedals interconnected.

• His room must have been pretty crowded, for it also contained his collection of over 100 umbrellas !

• Satie once bought 12 grey velvet suits at the same time. He used one suit at a time until it was worn out, then he put on a new one.
When he died, there were 6 suits left in his room, along with his 100 umbrellas.

• When Satie was criticised for writing music without form, he immediately composed "Trois Morceaux en forme de poire" (Three Pear-shaped Pieces. They are piano duets).

• Satie's eccentricity lives on !
His 180 notes long composition Vexations, directed to be repeated 840 times, was recorded in 1963 in New York. It took a relay team of 10 pianists over eighteen hours to perform. The longest piece ever written.

Satie about himself :

• Before writing a work I walk around it several times accompanied by myself.

• For a long time I have subscribed to a fashion magazine.
I wear white socks and white vest, along with a velvet coat, soft felt hat and flowing tie (which is partially hidden by my beard), and on my nose I wear my pince-nez of course.

• My expression is very serious. When I laugh, it is unintentional and I always apologies, very politely.

• I breath carefully (a little at a time), and dance very rarely. When walking, I hold my ribs and look steadily behind me.

• My only nourishment consists of food that is white (I spare you the details for it sounds revolting - MF.)

• My doctor has always told me to smoke (cigarettes of course). He even explains himself : "Smoke, my friend. Otherwise someone else will smoke in your place."

3. CHRONOLOGY

• 1866 - Born in Honfleur (Normandy).

• 1873 - starts learning the piano.

• 1883 - enters the Paris Conservatory for one year.

• 1883 - 1890 - His Early Period.
Very interested in Mediaeval music, especially the Plainsong.
Satie was a resident of Montmartre (until 1898) and a 'regular' at the Auberge du Clou where he met Debussy for the first time.
He was rather poor especially in these early years, and worked as a Cafe pianist in Montmartre. Works from this Period include :

• Ogives 1886, probably his first well known work.

• Trois Sarabandes 1887. In 3/4 time written with bar lines. The 2nd dedicated to Maurice Ravel (Ref.1, 2, 6).

• Trois Gymnopédies 1888. Also in 3/4. Probably inspired by a decoration on a Greek vase. The 1st and 3rd are his best known works today (Ref. 1, 2, 6, 7).
Chord analysis : Gymnopédie No.1 - Gymnopédie No.2 - Gymnopédie No.3

• Six Gnossiennes 1889 - 1893. Inspired by the excavations of the great palaces at Knossos on the Island of Crete (Ref. 1, 2, 6)
Satie now abandons bar lines and time signatures altogether (until 1917), but the Gnossiennes have a basic 4/4 tempo. He also starts using humoristic directions to the performer on his scores.

• 1891 - 1895 - Satie becomes the official composer for the religio-mystic-occult sect of Rosicrusianism, which had a strong Mediaeval leaning. Compositions for this sect include :

• Prelude pour la porte heroique du ciel 1894. Composed for a Drama "esoterique" by Jules Bois. (Ref. 1)

• Messe des Pauvres 1895.
Later compositions, after leaving the sect :

• Pieces Froids 1897. Consist of two groups of 3 compositions. (Ref. 1)

• 1898 - Satie leaves Paris, and settles in a modest room (he nicknamed 'Notre Dame de Basses') in Arcueil where he lives until his death.

• 1900 - Satie produced several first rate cafe songs and music hall pieces, which include
• Je te veux - a graceful French waltz
• Le Piccadilly - with a strong Scott Joplin ragtime flavour (Ref.6).

• 1905 - 1908 - Satie enters the Schola Cantorum.

• 1909 - 1914 - His 'Humoristic Period', with :

• Veritables Preludes Flasques (for a dog) 1912. Three short pieces.(Ref. 1)

• Trois morceaux en forme de Poire "Three Pear shaped pieces" which he wrote in response to criticism from the establishment that there was no form to his compositions. (Ref. 6)

• Descriptions Automatiques 1913. Three short pieces. They contain parodies on existing popular songs.

Perhaps a product of the Dadaist technique of artistic creation through "ecriture automatique". This "automatic writing" occurs for example when doodling subconsciously on a note pad during a telephone conversation. (Ref. 1)

• Vieux Sequins et Vieilles Cuirasses 1913 ('Old Sequins and Breat-plates').

• Embryons Desséchés 1913 ('Dried up Embryos') Once again consisting of three pieces.(Ref. 1)

• Sports et Divertissements 1914. Twenty Musical accompaniments to drawings by the then fashionable artist Charles Martin.

Here the illustration on the original front cover (shown with kind permission of Dover Publications , New York, see Ref.3) :

All Satie's scores for this publication are handwritten by himself, with numerous explanations and comments. Publication was delayed due to the War until 1925, when a unique Limited Edition of only 900 copies was printed. (Ref. 3)

• 1914 - 1924 - His War and Post war Period.

• Avant Dernieres Pensées 1915. Three pieces. All three are based on simple repeated ostinato patterns (No.1 in the left hand, the other two with right hand patterns.). The 1st piece is dedicated to Debussy. (Ref. 1)

• Parade 1917. Satie collaborated with the Cubists Jean Cocteau and Picasso on the ballet 'Parade'.
Most of Satie's compositions consist of three pieces, representing three different viewpoints of a single musical concept. This is very similar to the approach used by the Cubist painters.
Parade created a scandal which propelled Satie finally to centre stage and stardom. From here on he was regarded as one of the instigators of neoclassicism. He became the godfather of Les Six and later the School of Arcueil.

• Sonatine Bureaucratique 1917. Three pieces. Satie starts using bar lines and Time signatures again. (Ref. 1, 6)

• Nocturnes 1919. Five pieces (a 6th was planned but not finished. (Ref. 1)

• Menuet 1920.

• Relache a ballet, with its accompanying film score for Cinema (1924) are probably his last works.

Other famous composition (for which I have no date) include Socrate - Mercure - Musique d'Ameublement

Quote From http://www.jazclass.aust.com/satie.htm

专辑曲目：

01.Gnossienne No. 1
02.Gnossienne No. 2
03.Gnossienne No. 3
04.Gnossienne No. 4
05.Gnossienne No. 5
06.Gnossienne No. 6
07.Trois morceaux en forme de poire - Maniere de commencement
08.Trois morceaux en forme de poire - Prolongation du meme
09.Trois morceaux en forme de poire - Morceaux I
10.Trois morceaux en forme de poire - Morceaux II
11.Trois morceaux en forme de poire - Morceaux III
12.Trois morceaux en forme de poire - En plus
13.Trois morceaux en forme de poire - Redite
14.Gymnopedie I
15.Gymnopedie II
16.Gymnopedie III
17.Descriptions automatiques - I Sur un vaisseau
18.Descriptions automatiques - II Sur une lanterne
19.Descriptions automatiques - III Sur un casque
20.Pieces froides - No. 1 Aire a faire fuir - I D'une maniere
21.Pieces froides - No.1 Aire a faire fuir - II Modestement
22.Pieces froides - No. 1 Aire a faire fuir - III S'inviter
23.Pieces froides - No. 2 Danses de travers - I En y regardant
24.Pieces froides - No. 2 Danses de travers - II Passer
25.Pieces froides - No. 2 Danses de travers - III Encore
26.Heures seculaires et instantanees - I Obstacles venimeux
27.Heures seculaires et instantanees - II Crespuscule Matinal
28.Heures seculaires et instantanees - III Affolements granitiqu
29.Vieux sequins et vieilles cuirasses - I Chez le marchand d'or
30.Vieux sequins et vieilles cuirasses - II Danse cuirassee
31.Vieux sequins et vieilles cuirasses - III La defaite des Cimb
32.Vieux sequins et vieilles cuirasses - Je te veux
33.Vieux sequins et vieilles cuirasses - Prelude de la Porte he

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专辑名称： Serenity 演唱歌手： Kotipelto 发行日期： 2007年4月20日语言种类：英语音乐风格： Power Metal 压缩比率： 320 Kbps 专辑介绍：芬兰古典金属龙头”腾云”(Stratovarius)主唱Timo Kotipelto从13岁时开始爱上摇滚乐，他并且接受打击乐的训练，1994年在Timo Tolkki的邀请下加入腾云，优美高亢的歌喉於"Fourth Dimension"专辑中一鸣惊人，从此腾云展开辉煌的十年黄金岁月。2002年中Kotipelto发表个人首张专辑”Waiting For The Dawn”……; Kataklysm -《Serenity In Fire》[MP3!]
专辑介绍： 04年的这张专辑可以说是完全旋律化的作品。无论从歌曲的编排，演奏方式以及录音效果来看，Kataklysm都像是一支北欧的乐队。当然以前的专辑就有这样的趋向，不过这次体现得更加明显。我想说的是这张专辑的前两首歌比较有趣，你会明显感到它们的不同。这两首歌不是传统的死金，不是激流，也不是旋律死，而是律动感十足的新金属。当然新金属涵盖的东西很多，但就这两首歌来看，短促但时尚味十足的RIFF，加上略有RAP感觉的主唱低吼，使得专辑开篇相当让人惊诧。总之，作为残酷当头的死金乐迷可能对这张专辑说不，但是对于喜欢旋律死的朋友，这还是张不错的专辑。; 《萤火虫》(Serenity)思路/720P[HDVDRip]
思路原创首发VC，任何转载请注明转自VeryCD！原创发布者为CSCXK！在此感谢！剧情简介：危险就在身边　　500年后，地球已经无法承受人口之重，人类不得不向银河系开拓新的生存空间，领土的争夺导致星际间战火不断。故事以马尔科姆•雷诺兹船长(内森•菲利安饰)为中心，他是一名银河系内战中的资深军人，但他不幸地属于战败的那一方，为了生计，现在的他不得不利用他的宇宙飞船“宁静号”乾一些走私违禁品或是接送乘客之类的勾当。　　由他率领的宇宙飞船组员：副船长佐伊、领航员沃什、机械师凯利、枪手杰恩等人，就像是他休戚与共的家人，虽然他们经常跟他吵架拌嘴，也不太爱服从他的命令，不过他们对他却是忠心……; 《宁静号第一季》(Firefly Season 1)[风软FRTVS小组出品]更新电影完结篇|本季完[RMVB]
【类型】: 科幻动作冒险【影片长度】: 平均45分钟【集数】: 全季共13集【字幕】: 中文【服务器】: 随机【分享时间】: 全天24小时【资料翻译】：【制作】：风软FRM字幕组+风软FRTVS压制组【剧情简介】： "夺走我的爱，夺走我的国家，夺走我脚下土地。我不在乎，我仍自由，你夺不走我的天空。把我推向黑暗，告诉他们我走了。焚烧土地，煮沸大海，你夺不走我的天空……驾驶着宁静号，我无处定居，你夺不都我的天空。" 故事发生在距今500年后，人类已经丢弃了地球，来到了一个全新行星系统。宇宙飞船宁静号的船长Malcolm Reynolds反对……; Fall of Serenity -《Bloodred Salvation》[MP3!]
专辑风格: Death Metal 专辑介绍: John Gahlert- vocals(主唱) Simon Brach- bass, backings(贝司,背景乐) Lutz Einenkel- drums(鼓手) Alex Fischer- guitar(吉他) Eddy Langner- guitar(吉他) 引自F的介绍:德国地，一直听到的大多旋律的面多些，在我心里会形成让我有依赖的感受。(乐队目前只有一张正式专辑) "不用怀疑, Fall of Serenity 设法结合Hardcore-Kids 和 Metalheads. 自从他们在98年成立开始, Fall o……; 《萤火虫》(Serenity)思路/1080P/国英双声轨[HDTV]
[QUOTE]合成 448KAC3 5.1英语, 384K国语，这是找到的最好音轨了,本片无DTS，感谢 DARKHOLE提供音轨. www.SILU.INFO FANXY制作,不错的片子,IMDB得分8.0，高码流H264加448K5.1，值得下载洗版收藏, 转载请注明出处视频提取自高清电视台播放的H264节目，播放时务必使用最新版的Gabest(MPEG2)分离器. 如果使用KMP 2.9.2.1100版本，已经包含了这个分离器。如果使用其他播放软件，可以从KMP 2.9.2.1100中提取MpegSplitter.ax, 视频解码器使用CoreAVC 1.1.0.5，另外， ……