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Amy Millan -《Honey From The Tombs》[MP3!]

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音乐/欧美音乐
发布者:
潘震
发布时间:
2008-01-05 23:51
最新更新时间:
2008-03-11 17:15
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中文名称:Honey From The Tombs
资源类型:MP3!
发行时间:2006年
专辑歌手Amy Millan
地区:加拿大
语言:英语
简介
922575.jpg

专辑名称:Honey From The Tombs
专辑歌手:Amy Millan
专辑类型:Indie Pop
唱片公司:Arts & Crafts
发行日期:2006
发布码率:192kbps

专辑介绍:


Amy Millan,或许是加拿大最具天分的独立摇滚天才——StarsBroken Social Scene两大独立摇滚乐队中当之无愧的核心,《Honey from the Tombs》是她2006年发行的个人专辑。

相信大家对Amy Millan这个名字都不陌生。这位来自加拿大民谣女歌手是Stars乐队的女主唱,曾经在Broken Social Scene里做过帮唱。Amy有一把独特的嗓音,厚重,富有层次感,录音后经过处理听起来更加立体亮丽。Amy Millan早前已经被 Toronto weekly papers Now Magazine 评为 “Toronto’s Best Female Singer”。看来Amy这回的个人专辑一定很受捧。

这张Solo Album用了三年的时间录制,据Amy自己的描述,这张专辑里面的曲子都是七年前或更早之前写的。Amy在中学时代已经开始自己作曲,她曾对媒体说,我喜欢写伤感的歌(I love writing sad songs)。的确,在这张Honey From the Tombs里面我们可以感受到一个忧郁感伤的Amy。透过音乐,你可以看到她正抱着箱琴懒洋洋的吟唱,无拘无束,沉醉在自己寂寞的世界。听这张专辑的时候要注意歌词,因为看过歌词后,即使曲子充满了明快的节奏以及和谐的旋律,你都能体会到有忧愁的东西在里面。

QUOTE
我想认识amy millan的人应该都是从stars开始的。在05年的首张full-length大碟之后,amy做为女主音以其富有层次感和立体清亮的声音获得了乐评和歌迷的一致肯定。在等待stars新专开始变的遥遥无期的时候,不经意间寻到了amy潜心3年的这张solo专辑。以前听stars的音乐,听amy的歌声,我总会在脑海中浮现一组画面:一个瘦弱的金发女子,一杯沉淀了的冷咖啡,一副若有所思的神情,一次漫不经心的吟唱,一个与世隔绝的角落,忧郁的将晴天终结……就像Amy自己说的,她沉醉于写伤感的歌曲,honey from the tombs里虽然有像牛仔狂欢般的调调,而歌词却满浸着无奈与伤感。

看到amy的样子会有点意外,才发现想象中那个盘着碎发的金发姑娘只是我赋予indie female singers的一种期许形象。没有失望或切喜的感觉,因为接受了她的声音,其他一切只是虚无的陪衬。

——————————————————————————————————

skinny boy是听的第一首歌曲,那时便认为这应该是一张融合了folk的indie专辑,而听完整张,特别是听到wayward and parliament以后似乎应该这么说:这是一张folk佐以小indie的专辑。

country和folk的味道覆盖了曾经我们习惯的indie小调,包括声音和唱法都有了明显的不同。amy的声音更加饱满立体,抛弃了在stars时期的气弱游丝、飘渺空灵的唱腔,像一次平稳的着陆,回归了象征自由奔放的乡谣唱法。

北欧从来不缺少像stina nordenstam、anja garbarek的实验小女声,就像加拿大从来不缺少特例独行的民谣歌者,从老革命者到新生力军,joni mitchell被无数人铭记与欣赏,kathleen edwards也凭借着好评如潮的两张专辑成为了民谣界的中流砥柱。她们还在将传奇继续谱写,自由的气息仍在延续。

BLue in yr eye以曼陀林进入,配以飞舞的箱琴,成为了整个唱片最具有西部风格的歌曲。baby I、ruby II、headsfull也被贴上了country的标签,旋律结构和节奏上都容易让人联想到牛仔们生活的种种。he brings out the whisky in me和pour me up another是那种适合在独自一人的时候聆听的歌曲,抚平纷乱的杂念,回忆往昔的温存,一如忧郁到底的蓝色,只是静静的等待又一个黎明的到来。

vocals的solo是一次心灵的冒险也是一种宿命的轮回,不管结果如何,我们都很欣慰的看到努力绽放的他们。


Amy Millan has already proven herself a talented indie pop singer with her bands Stars and Broken Social Scene, so the fact that her voice carries over so well to other genres should come as no surprise. In her debut solo album, Honey from the Tombs, Millan explores her folkier side, with songs (all of which were written long before her Stars days) that tell tales of lost love and regret, an acoustic guitar and her own layered vocals her only constant companions. Not that the album is a lonely affair: Millan enlists plenty of help to help fill out her sound. There's guitar and vocal assistance from Dan and Jenny Whiteley (from Crazy Strings), as well as additional instrumentation from both sets of bandmates. But even though there's a certain lushness to the record, the words, and Millan's voice, are so forlorn that the overwhelming sentiment that comes through is loneliness, as if the players behind her are simply illusions, as if in fact she is there by herself. And it's this particular emotion that sits so calmly within the notes that makes Honey from the Tombs more than just another folk album. The songs themselves, if taken apart structurally, are no better and no worse than any other ones: they're musically sound but not extraordinary, and while there are some great, poetic lines, most of the actual power in Millan's work is from the sincerity in the simplicity of it all. "Singing's always easy when you're drinking," she admits, "So pour me up another before bed." She allows herself to show a weakness that's all too human, the weakness of old lovers who will never be forgotten, of distant memories still sharp like broken whiskey bottles. And it's precisely that weakness that makes Honey from the Tombs such a compelling and touching record. It doesn't have to be complicated by abstract imagery or unusual chords, because it already has everything it needs.


专辑曲目

1. Losin' You
2. Skinny Boy
3. Ruby II
4. Baby I
5. Headsfull
6. Wayward And Parliament
7. Hard Hearted
8. Blue In Yr Eye
9. Come Home Loaded Roadie
10. All The Miles
11. He Brings Out The Whiskey In Me
12. Pour Me Up Another


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